sincerely yours

a wired piece from last week (“Sincerely Ours: Glee’s Success Cements Age of Geeky ‘New Sincerity'”) on how irony is dead, guilty pleasures are no longer guilty, and it’s now okay to be enthusiastic about just about anything. it concludes a historical and contextual analysis with the following thought:

“Overthrowing the ironists may lead to a dictatorship of neo-sincerists. However, in this new Age of Sincerity, there is hope that we can be sincere about the things we love and hate.

Love show choir? Fine. Hate comic books? It’s a free country.

If irony has taught us anything, it’s that nothing exists in a vacuum safe from mockery. But if geeking out has taught us anything, it’s that there are 101 ways to be a nerd. It’s time we embraced all of them.”

this, i think, is the key that opens it all up. it’s not that everything is good now that we once thought was bad; or that we’re past the point of joking at the expense of what we don’t like. it’s that people find good and bad in different things for different reasons, and they’re all valid in some way (except wayans brothers movies. those are definitely exempt and not at all okay to like).

these days, what’s really important to most who might judge us is that we have passion for something. baseball or battlestar or busby berkley, who cares, as long as you show enthusiasm and knowledge and can speak interestingly on some subject under the sun.

my only question is, how do kids today have any idea who to make friends with? i was magnetically drawn to the other geeks reading lord of the rings growing up, and shunned heartily by popular kids with sports team starter jackets, and everything was easy to decode. don’t tell me that now they all go around getting to know each other as individuals… do they? that sounds exhausting.

millennials define, embarrass themselves

so now there’s a thing called millennials magazine, a blog with a mission statement to, in their words, “help us define ourselves.” a sort of “by us, for us” cyber-publication — if “us” is hopeful internet writers, it would seem. i read a few of their pieces and they did not convince me to read more.

of course, they’re young, and still getting their heads around things like clauses and the difference between essays and journal entries. nothing unforgivable — i’m sure anything i wrote at 22 was equally worth reading, in that it probably wasn’t.

being right on the cusp at the oldest end of the millennial span (or lowest of gen x, depending on which cutoff you go by), it’s hard to say which set of generational values i share more, and it’s with much amusement that i read investigative pieces on either age range and the unique challenges they think they face. but this new outlet is most interesting in that it exists at all.

it seems that no generation has been so fully defined and sold to marketers as a packaged idea than this one, who then in turn sell the idea of millennial-ness back to its constituents, who are apparently more than happy to accept it as a label for their special take on the world — as long as their special-ness is widely agreed upon.

was there a boomer magazine in the 60’s/70’s? a gen x one in the 80’s/90’s? these were terms applied from outside, not worn as badges, right? people were busier being interested in things like rock music (or civil rights) and defining themselves by those interests, not sitting down to brainstorm what it means to be part of a demographic.

that’s what’s so odd about this project, as well-intentioned as it may be. i’m sure it might help a few young writers practice, get better, get some attention, maybe get a writing gig at some point. but the surreal part is that this super-savvy generation is so fluent in the language of marketing, they’re self-applying it and even trying to help it along themselves as a project in self-discovery. they see the wild rush of everyone a few years older to ‘understand the millennials’, that they figure there must actually be a big truth there to uncover, and “by golly, shouldn’t we be the ones to solve the puzzle ourselves?”

but come now, we all know there’s no answer there. there’s not a code to crack or a consensus to be reached, just a bunch of young people trying to figure out how to be happy, just like anyone of any age. doing marketers’ job for them by ‘defining your generation’ comes off more as attention-baiting for media types than serious reflection. but hey, maybe that’s a sign that they really do have it all figured out, and are just playing the older crowd as saps?

your package makes me happy


so, i got a new toy this week, which i’m sure i’ll have more thoughts on once i’ve had more time to fiddle with it.

but before any fiddling took place, there was that wonderful moment of making a somewhat major purchase and bringing it home to unbox. and as great as anything i’ve ever owned was to actually, you know, use, a lot of the ones that stand out are the ones that put a little care into that moment right before you even get to touch your pretty new thing. when a thing is well packaged, it feels more like opening a present.

with the kindle, not only was the container nice to look at, but there were these two little touches that made me smile before i even got into the thing. a barcode with a person reading against a tree, that age-old image of a book-lover’s dream moment; and next to it, an assurance that getting to my new toy would not be a hassle.

if the difference is made in the details, kindle had me on their side before i’d even flipped the power switch. now to get on to the whole reading business…

[side note: any kindle users have a reco for a killer, perfectly handsome and holdable case? i’d hate to go bareback for too long and end up sitting on the thing, leaving only the pretty box to enjoy.]

work tips from funny men

it’s no secret that i think jon stewart is one of the best people on tv, so naturally i quite enjoyed this NY magazine profile on him and his staff. a little ‘how the sausage gets made’ tour behind the scenes. (side note: NYmag puts out some amazing feature-length articles. i feel almost guilty that i’m tempted to subscribe, while i’ve never read an issue of LAmag… assuming there must be one, right?)

anyway, though the article deftly describes stewart and team’s approach to their uniquely whip-smart brand of comedy, there was an added little bit that got my attention as a person also in the ‘ideas’ business. not that i’m comparing what i do in either relevance or quality to what they do on the daily show, but still, they must have a pretty successful formula to put out such top notch stuff four nights a week most weeks of the year.

in rough terms, their process seems to be:
— get in early and get to work.
— get in a room with a lot of smart (and in this case, funny) people and toss things around, keeping the best stuff to dig into further.
— do your homework; or rather, have a team of people on hand to help with the details.
— as a corollary, don’t get buried in information yourself, because…
— things are getting rewritten right up until the last minute, and in the end you’ll know what works..
— and what doesn’t work. don’t be afraid to cut that part. go with your gut.

obviously it helps if you have incredibly smart, motivated people around you, but still, not a bad system. the main thing i’m missing is probably #3; maybe i should have got an intern after all…

based on a ‘true’ story

i’m working on a review of sorts of the movie catfish, which we saw an early screening of a few weeks ago. well, not a review exactly, but some thoughts on how it’s been marketed, and how that effects the film itself. (will update here when it goes up.)

but between catfish coming out, all the buzz around the upcoming facebook movie and its relative veracity, plus the joaquin phoenix is-it-a-hoax-or-not hip hop documentary currently making festival rounds, we’re in a strange time for film. it seems to be that all at once, a bunch of people struggling for ideas on how to make an interesting movie came up with the same answer: playing with the idea of what’s real and what isn’t. but not in a usual suspects way, in which the doubt is all contained and resolved within the film. no, that’s been done already. now we’ve moved on into meta-narrative trickery to be provocative. it’s not enough to wonder what’s real or not within the film, but whether or not our reality as we understand it is really real.

the reasons for this may have something to do with the fact that at the end of the day, we like a good story even more than we like the truth. in a decade where the truth is always relative (political spin, marketing ubiquity, carefully managed internet image vs real self — it’s true, i’m actually a 14 year old girl), we’d rather see something that’s extrapolated and exaggerated into something interesting than something that’s accurate. plus, with this new twist of meta-controversy, we get to be part of the story by debating its “truthiness” after the fact.

would it be fair to say that we live in a post-truth era, where there’s nothing you can totally believe, so all we have left to hope for are tricks that are fun to participate in?

[quick footnote: i was very proud of coining that idea of “post-truth”, then googled and found it’s a book from several years ago. maybe i should read it instead of posing rhetorical questions on a blog.]

did they factor in free donuts?

“While happiness increases along with annual household incomes up to about $75,000, beyond that, earning more money has no effect on day-to-day contentment, according to the study….

“This study is consistent with a lot of other studies on the relationship between income and happiness or overall life satisfaction,” Maddux [a psychology professor] said. “What other studies have also shown is that money matters up to a point. But after a certain point, having additional money doesn’t make people like their lives better or feel better about themselves on a day to day basis.”

the above news item has popped up in lots of places, so i couldn’t help but share a few thoughts:

— lots of places are falsely saying that the ideal amount of money to make is $75k, which is a gross misinterpretation. obviously more money not making you substantially happier is not the same as it making you less happy, or does that money suddenly lose its power to buy things, or even be given away to help others. i hate when science is skewed to make better headlines. come on new york times, you’re better than that.

— i bet these stats differ pretty greatly for people with lots of college debt. there are probably plenty of newly graduated law or med students who could be a lot happier even at 75k.

— the fact that the median income is 52k explains a lot in light of this study. we’re a nation of people not quite financially comfortable enough to chill out about dumb things like where people build mosques. nor are we able to stop worrying about paying bills long enough to focus on bigger problems like ending wars (or even voting, for gods’ sake).

— lastly, how many people will cite this article when asking for a raise this year? “sure boss, a raise to 68k would be very generous, but for just a few thousand more i could be at optimum happiness!”

excuse me, i have to go

a couple weeks ago a visionary anime director, satoshi kon, passed away. he died at a young age (47), and as the creator of some of my favorite animated works out of japan — paprika, perfect blue, and the series paranoia agent (pictured above) — i was pretty shocked and saddened that his talents would no longer be around.

as an interesting side effect of the internet age, a lengthy good-bye letter he had written shortly before his death was soon posted to his blog, and quickly translated into english.

I haven’t been idly waiting for death, even now I’m thinking with my weak brain of ways to let the work live even after I am gone. But they are all shallow ideas. When I told Maruyama-san [ed: founder of Madhouse productions] about my concerns about “Dreaming Machine”, he just said “Don’t worry. We’ll figure out something, so don’t worry.”

I wept.

it’s very long, and very personal, but very touching.

one might imagine kon’s biggest concern, when seeing his life about to be cut short, would be the work he’s leaving unfinished. that’s what we’d expect from him as a creator, and selfishly, our concern as fans. and though he does address it, the bulk of the letter describes his wishes to see family and friends before the end, and gratitude to those who supported him along the way.

a sad reminder of the citizen kane variety that for all the creative success, what it really comes down to in the end is the happiness we find with other people. working hard is worthwhile. making wonderful things is commendable. but hopefully if you do it right, none of that should mean sacrificing a connection with the great people in your life.

television, you terrible mistress

i love TV. well, sort of. i am a huge fan of certain things on television, and i loathe a lot of the rest. but even then, there is enough quality television from the last 10 years to keep me well provided with good shows (in fact, with the advent of tv on dvd and netflix streaming, there’s almost too much — a topic i’ve been kicking around for an article over here for a while now).

however, i also have a very controlled relationship with tv. if i watch more than a couple hours of it, especially at once, i feel restless and jumpy. i imagined this was because i think of myself as smart and cultured, and so i had an internal conscience that said, ‘okay, that was fun, now go read a book or something’. turns out via this article in psychology today, ‘the case(s) against television’, my pretentiousness might not be to blame, but in fact some subconscious brain workings:

“Researchers have found a direct correlation between the amount of time someone spends in front of the television and that person’s irritability. In the short-term, TV shows provide an escape from everyday trials, but over the long-term such escapism prevents the mind from engaging in much-needed reflection.

“The fascination that seems to be important in the recovery of attention is nothing like what happens on television,” Kaplan says.”

though we all list television as something we do to relax, it turns out it’s not quite the mental relaxation we really need. and yet it feels so good… tricky television.

“Frey’s research found a strong correlation between watching TV and lower levels of happiness (and, interestingly, a link between reading newspapers and higher life satisfaction). Frey ponders the potential causality:

One possible and reasonable answer is that the heavy TV watchers are subject to a self-control problem: they would like to spend less time in front of the TV but are unable to do so in a consistent and enduring way.”

and so, my gratitude that some part of me, whether my self-image or my subconscious, keeps me from a acting like an addict despite an endless supply of stimulation at my finger-tips. i bet there are lots who aren’t so lucky. even worse, i bet lots of them are addicted to shows with bad or non-existent writing (shudder).

[side note: one of the reasons i was drawn to this article is because it also references the writings of david foster wallace (on tv addiction), and my man-crush on him is undeniable.]

just checking in

today i saw a photo of a times square billboard advertising foursquare, and i couldn’t help but laugh at the typical moment where big brands jump on the new technology train. not that it’s a bad idea to give coupons to people that ‘check in’ as being at your store (a bit rude to people without foursquare accounts, maybe — are their paper versions available at checkout?). i’m just fascinated by people’s fascination with this new ‘checking in’ thing.

the technology is cool, and if you’re a big urban adventurer, i could see the novelty in getting points for going to lots of bars and restaurants. in fact, the one time i fully support the use of foursquare is when i go somewhere new and it’s either really great, really bad, or just really novel. i can easily fire a quick link to the name and mapped location and just let everyone know, ‘hey, this place is great, check it out!’, or ‘hey, stay away!’ in a few button presses, where i might forget to tell them in our next conversation, or not feel like writing a full review on my own blog or something (which no one reads anyway). if yelp’s iphone app were better, i’d probably use them instead, because at least they link to real reviews.

otherwise, it seems like a game where you’re rewarded for behaving compulsively, and that’s a game i don’t really want to play. there are probably some great uses for this beyond my current experience — i love the idea of gps scavenger hunts, the nike+ running trackers are genius — but for now it seems like an idea without a benefit. a hat for fruit, if you will. especially with facebook getting into the race, they better hurry up and figure out what exactly they offer the world, or this billboard is going to seem like a hilarious waste of money in a few years when they merge with myspace.

emerging adulthood: is it too late to sign up?

“With life spans stretching into the ninth decade, is it better for young people to experiment in their 20s before making choices they’ll have to live with for more than half a century? Or is adulthood now so malleable, with marriage and employment options constantly being reassessed, that young people would be better off just getting started on something, or else they’ll never catch up, consigned to remain always a few steps behind the early bloomers? Is emerging adulthood a rich and varied period for self-discovery, as Arnett says it is? Or is it just another term for self-indulgence?” — NY Times, “What Is It About 20-Somethings”

I couldn’t help but be terribly disappointed in this article, mainly because these big, profound, philosophical questions about the nature of growing up that it asks on page 2 get almost no resolution by page 10. The end takeaway seems to be, “Some people think yes, some people think no.” I would also venture to guess that people past their 20’s think “No, these kids need to grow up,” and those in or before their 20’s think, “Yes, I would love more time to be a freewheeling half-adult! Thanks, older generation, for supporting my delaying of responsibility!”

It’s extra funny when you pair this thought with another common understanding: ‘kids getting older younger’. By 5 or 6 kids are done with toys that use imagination, already graduated to computers and video games and already wanting to act, talk, and dress like the pre-teens a few years older than them. It’s as if everyone who isn’t adolescent yet can’t wait to get there, and once they’re there, they want to hang onto it for 20 whole years.

What’s wrong with these people? Adolescence was terrible! Awkward, confusing, often lonely, frequently boring — or was that just for me?

Maybe we’ve reached the real problem; America has made being an adolescent too sweet a deal. They’re protected from any kind of real failure or pain or even hurt feelings, and so who wouldn’t want to stay in that stage forever? Life without consequences must be great. And I just missed it by a few years. Damn.